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Once upon a time, a blog was created at 9:42 am in order to make my identity known to my LIT professor.

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Illustrating Nostalgia

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Both Will Eisner's Contract with God and Craig Thompson's Blankets are graphic novels that use a series of short stories to compile into one big one. Despite both being dealing with faith, their style, message and content are almost completely different. Most of Eisner's Contract with God short stories are about the tenants of the Bronx. However, his most religious piece ends up being the graphic novel's title. The main story is also told differently from the other Bronx-inspired story too, having almost an uncolored picture book quality while the others use more dialog form. Well, the main story did use dialog too, but it is almost treated like a visual statement to support the narration and not really its own driving force. Hence, the first story personally reminds me of animation beat boards. Thompson's Blankets on the other hand, is a continuous novel compiled by multiple childhood memories. Although both "Contract with God" and "Blankets...
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Whiteman

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Reading Whiteman by Robert crumb was quite a mixed experience. On one hand the story is set up to be quite unexpected, and at the same time the behavior of the    “White man” is a common trope that is often picked out and criticized in contemporary literature. Personally, the most underground aspect of the story is not about having sex with a big foot, but the allusion that Whiteman’s animalistic relationship with big foot is similar to having relationships with black women. It is never directly implied that the big foot represents black women in text, but the appearance of the big foot visually insinuates stereotypical features of a black women. For instance, big bottoms in jeans and gigantic lips. Most importantly. There are no black women represented in the comics, so there is no visual comparison between what the comic is trying to allude to versus what a black women might actually look like in the comic. In mere words, the lack of representation of black women in the com...
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The contemporary and chaotic outsider

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Another nickname for the contemporary comic era’s is “Dark Age of comic Books”, due to an influx of serious content in the 1980s-1990s - and “Transmetropolian: Back on the street” is a perfect example of that. “Transmetopolian” sets in a futuristic city that is filled with people and chaos. In this ep, it is a story that deals with cult manipulation, racism, body modification, police brutality and journalism; a handful of heavy subjects.  But-Warren Ellis and Darick Robertson did this in one of the most satirically entertaining ways possible, through the perspective of an eccentric reporter: Spider Jerusalem.  Spider plays the role of an anarchic, active outsider. His nonchalant, give no Fs attitude towards the city is satisfying to read because frankly-the city in Transmetropolian is not nice place for action. It’s crowded with people and filled with issues. Despite the diversity, most characters in the comic think mostly for themselves. Although he is still a jerk, ...
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